秋天來了，流浪來了。
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▍歷屆音樂節 Archive
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● 完整節目 PROGRAM OVERVIEW
【流浪小客廳 MMF Talks 1】
方位之間—「泰國」音樂的去中心觀點
InBetween: Decentralizing Musical Perspectives of "Being thai"
▪ 日期 Date：9.08 WED. 台灣時間 (GMT+8) 20:00-21:30
▪ 地點 Venue：ZOOM 線上進行
▪ 講者 Speaker：Pornprapit Phoasavadi
這天晚上，「流浪之歌音樂節—流浪不斷線2」首場，將以一場解碼「泰式」神話的旅程揭序，邀請朱拉隆功大學藝術學院副教授Pornparapit Phoasavadi為我們領路。 本場講座，聽眾將會被帶入一段解構「泰」的旅程，理解「泰」如何透過音樂展演被建構與再現，成為我們想像的「泰」、「泰國」或「泰式」。 這也是主講者Pornprapit Phoasavadi的一趟身份之旅，透過她不同的身份角色的轉移—傳統音樂演奏家、大學教授、民族音樂學者、文化譯者、音樂會策劃人，以及一位曼谷居民，帶領觀眾穿越多重邊界，探究東南亞表演藝術口述傳統所面臨的困境。
This talk invites audiences to be engaged in the process of deconstructing the normalized perception of what is ‘Thai’ and what is typically represented to a musical showcase of ‘being Thai’ to international audiences. The talk will begin with a journey that Ros Phoasavadi has embarked on as a traditional Thai musician, a university lecturer, a researcher, an ethnomusicologist, a cultural translator, a performance curator, and as herself - a resident of contemporary Bangkok. A talk will then explore the struggles that oral traditions in Southeast Asian performing arts have been dealing with.
*本場次講座全程以英語進行 This talk will be conducted in English.
▪ 報名連結 Registration：活動已結束 This event has ended
▪ 活動備註：報名成功後將收到確認信回函，並於 9.05 寄發本場次ZOOM活動室連結，敬請留意收信。
Note: The ZOOM link will be provided via email by Sep. 5.
● 講者介紹 Speaker
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Pornprapit Phoasavadi
1974年出生於泰國曼谷，畢業於泰國朱拉隆功大學藝術與應用美術學系泰國音樂展演學士學位。她獲得傅爾布萊特（Fulbright）獎學金赴美國西雅圖華盛頓大學進修，並於2005年取得民族音樂學博士學位。畢業後，她加入朱大藝術與應用美術學系，目前擔任泰國傳統音樂副教授。與World Music Press的共同著作包含《Bangkok and Beyond: Thai Children’s Songs, Games, and Customs》(2003)。2018年，Pornprapit Phoasavadi 發表民族誌《Music of Nan Province》，並獲得朱拉隆功大學創校百年學術基金會資助。在當代社會的汪洋中，Pornprapit Phoasavadi 將極大的熱忱沈浸在傳統和現代交織的網絡。 Born in 1974, Bangkok, Thailand, Pornprapit Phoasavadi received a Bachelor of Fine and Applied Arts in Thai traditional music performance from Chulalongkorn University. She was a Fulbright fellow pursuing her graduate studies at the University of Washington, Seattle and received her Ph.D. in ethnomusicology in 2005. Upon her graduation, she joined the Faculty of Fine and Applied Arts, Chulalongkorn University. Currently, she is an associate professor of Thai traditional music at Chulalongkorn University. She co-authored From Bangkok and Beyond: Thai Children’s Songs, Games, and Customs (2003) with World Music Press. In 2018, she published Music of Nan Province, an ethnography supported by Chulalongkorn University’s 100th Anniversary Chulalongkorn Academic Fund. Her major interest has been enmeshed in a web of tradition and modernity in an ocean of contemporary societies. |
▪ 報名連結 Registration：活動已結束 This event has ended
▲ 本場次由流浪之歌音樂節 (台灣)、大大樹音樂圖像主辦 (台灣)、Master of Arts in Curatorial Practice, Faculty of Fine and Applied Arts, Chulalongkorn University (泰國) 合辦。
▲ 本場次由流浪之歌音樂節 (台灣)、大大樹音樂圖像主辦 (台灣)、Master of Arts in Curatorial Practice, Faculty of Fine and Applied Arts, Chulalongkorn University (泰國) 合辦。
【音樂演出 MMF LIVE - 1】
(สำหรับภาษาไทย กรุณาเลื่อนลงด้านล่าง)
All Thidsa Molam Band LIVE 台泰現場連線
▪ 日期 Date：9.11 SAT. 台灣時間 (GMT+8) 15:00-17:15
▪ 地點 Venue：ZOOM + FB 線上進行
▪ 活動流程 Schedule：
15:00-16:00 | 演前座談影片播放 Pre-performance discussion clip
16:00- | 現場演出 All Thidsa Molam Band LIVE
來自泰國東北瑪哈沙拉堪（Mahasarakham）的All Thidsa後摩蘭樂團，是當代最知名的摩蘭樂團之一。他們極具魔力的音樂現場，以充滿活力的器樂、歡快的節奏及令人驚喜連連的即興功力，帶給觀眾高度參與感以及難以忘懷的聲響經驗！曾受邀至世界各地演出，All Thidsa以傳統音樂為底蘊，代入西方音樂元素，走在當代音樂創作的路上，卻始終保持著東北摩蘭樂舞的敘事和批判。在「泰國音樂」的另類輪廓中，我們得以透過All Thidsa Molam Band，一窺「後摩蘭」的真實面貌與精神。
All Thidsa Molam Band from Mahasarakham, Northeast Thailand, is one of the most well-known Molam bands at the time. Most of their members started to practice music when they were in middle school, and have performed as freelance musicians with the Molam band since then. The highlight of All Thidsa band is their live performances, in which they attract, improvise, highly engage and entertain the audiences. Having been invited to perform all over the world, All Thidsa tries to merge traditional music with western music, but still maintain their musical root of “Isan” identity. Under the theme of alternative ways of entertainment, they have found their voice as the Post Molam Music genre.
▪ 報名連結 Registration：活動已結束 This event has ended
▪ 活動備註：報名成功後將收到確認信回函，並於 9.08 寄發本場次ZOOM活動室連結，敬請留意收信。
Note: The ZOOM link will be provided via email by Sep. 8.
All Thidsa Molam Band LIVE 台泰現場連線
▪ 日期 Date：9.11 SAT. 台灣時間 (GMT+8) 15:00-17:15
▪ 地點 Venue：ZOOM + FB 線上進行
▪ 活動流程 Schedule：
15:00-16:00 | 演前座談影片播放 Pre-performance discussion clip
16:00- | 現場演出 All Thidsa Molam Band LIVE
來自泰國東北瑪哈沙拉堪（Mahasarakham）的All Thidsa後摩蘭樂團，是當代最知名的摩蘭樂團之一。他們極具魔力的音樂現場，以充滿活力的器樂、歡快的節奏及令人驚喜連連的即興功力，帶給觀眾高度參與感以及難以忘懷的聲響經驗！曾受邀至世界各地演出，All Thidsa以傳統音樂為底蘊，代入西方音樂元素，走在當代音樂創作的路上，卻始終保持著東北摩蘭樂舞的敘事和批判。在「泰國音樂」的另類輪廓中，我們得以透過All Thidsa Molam Band，一窺「後摩蘭」的真實面貌與精神。
All Thidsa Molam Band from Mahasarakham, Northeast Thailand, is one of the most well-known Molam bands at the time. Most of their members started to practice music when they were in middle school, and have performed as freelance musicians with the Molam band since then. The highlight of All Thidsa band is their live performances, in which they attract, improvise, highly engage and entertain the audiences. Having been invited to perform all over the world, All Thidsa tries to merge traditional music with western music, but still maintain their musical root of “Isan” identity. Under the theme of alternative ways of entertainment, they have found their voice as the Post Molam Music genre.
▪ 報名連結 Registration：活動已結束 This event has ended
▪ 活動備註：報名成功後將收到確認信回函，並於 9.08 寄發本場次ZOOM活動室連結，敬請留意收信。
Note: The ZOOM link will be provided via email by Sep. 8.
● 演出者介紹 Musicians
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All Thidsa Molam Band
來自泰國東北瑪哈沙拉堪（Mahasarakham）的All Thidsa Molam Band是泰國目前最知名的當代摩蘭樂團之一。團員在中學時期開始學習音樂，各自都曾在摩蘭樂團中演出，隨後相遇相聚而組團。他們在傳統泰國東北摩蘭樂舞的基礎上創新、即興，並以「後摩蘭樂」定類，其現場演出魅力無窮，逐漸活躍於國際音樂舞台。目前團員們皆任教於瑪哈沙拉堪大學（Mahasarakham University），團長Arthit Khamhongsa同時是摩蘭樂的研究學者。 All Thidsa is a Post Molam Band based in Mahasarakham, Northeast Thailand. They are specialist on playing Molam music in the Isan area. Most of their members started to practice music when they were in middle school, and have performed as freelance musicians with the Molam band since then. The highlight of All Thidsa band is their live performances, in which they attract, improvise, highly engage and entertain the audiences. All-Thidsa tries to merge traditional music with western music, but still maintain their musical ambient of Isan identity. Under the theme of alternative way of entertainment, they have found their voice as the Post Molam Music genre. |
● 演前座談 Pre-performance Discussion
後摩蘭在後疫情世代 Post Molam in Post Covid Period
摩蘭是一種歷史悠久的樂舞形式，反映著地方與社群的生活、社會、文化與經濟變遷。摩蘭以表演藝術的樣貌、極具詩意的歌詞與扣人的旋律，傳遞生活的智慧，世世代代影響著「依善」地區人民。疫情當下，許多摩蘭樂手及音樂產業大受衝擊。總是與時並進、緊貼社會紋理且映照著著社會脈動的摩蘭樂舞，此刻又將如何應變？
▫ 主持人 | Viriya Sawangchot /泰國流行音樂研究者
▫ 與談人 | Arthit Khamhongsa /All Thidsa Molam Band團長、Arthit Mulsarn /Molam Bus Project 策展人、Thanom Chapakdee /泰國當代藝術藝評人
▪ 報名連結 Registration：活動已結束 This event has ended
▲ 本場次由 College of Music, Mahasarakham University (泰國)、流浪之歌音樂節 (台灣)、大大樹音樂圖像主辦 (台灣)；Jim Thompson Art Center (泰國)、Manifesto-Agenda-Summit (泰國) 合辦。
摩蘭是一種歷史悠久的樂舞形式，反映著地方與社群的生活、社會、文化與經濟變遷。摩蘭以表演藝術的樣貌、極具詩意的歌詞與扣人的旋律，傳遞生活的智慧，世世代代影響著「依善」地區人民。疫情當下，許多摩蘭樂手及音樂產業大受衝擊。總是與時並進、緊貼社會紋理且映照著著社會脈動的摩蘭樂舞，此刻又將如何應變？
▫ 主持人 | Viriya Sawangchot /泰國流行音樂研究者
▫ 與談人 | Arthit Khamhongsa /All Thidsa Molam Band團長、Arthit Mulsarn /Molam Bus Project 策展人、Thanom Chapakdee /泰國當代藝術藝評人
▪ 報名連結 Registration：活動已結束 This event has ended
▲ 本場次由 College of Music, Mahasarakham University (泰國)、流浪之歌音樂節 (台灣)、大大樹音樂圖像主辦 (台灣)；Jim Thompson Art Center (泰國)、Manifesto-Agenda-Summit (泰國) 合辦。
การแสดงดนตรีสดจากคณะหมอลำ All-Thidsa (ประเทศไทย-ประเทศไต้หวัน)
คณะหมอลำ All-Thidsa เป็นวงดนตรีหมอลำจากจังหวัดมหาสารคาม ซึ่งเป็นหนึ่งในวงดนตรีหมอลำที่เป็นที่รู้จักมากที่สุดของยุคสมัยนี้ สมาชิกส่วนใหญ่ของวงเริ่มฝึกดนตรีมาตั้งแต่สมัยที่เรียนอยู่มัธยมต้น พวกเขาต่างก็เป็นนักดนตรีอิสระและเข้าร่วมกับหมอลำคณะนี้ตั้งแต่นั้นเป็นต้นมา จุดเด่นของคณะหมอลำ All-Thidsa คือการแสดงดนตรีสดที่ดึงดูดใจ ด้วยทักษะการด้นสด การเชิญชวนให้ผู้ชมมีส่วนร่วม และการให้ความบันเทิงแก่ผู้ชมอย่างเต็มที่ ทำให้พวกเขาได้รับเชิญไปทำการแสดงดนตรีมาแล้วทั่วโลก คณะหมอลำ All-Thidsa พยายามผสมผสานดนตรีดั้งเดิมเข้ากับดนตรีแบบตะวันตก แต่ยังคงรักษารากเหง้าทางดนตรีของความเป็น “อีสาน” เอาไว้ได้ ภายใต้แก่นสารของความบันเทิงทางเลือกนี้ พวกเขาได้ค้นพบแนวเพลงหมอลำของยุคหลังที่แสดงถึงอัตลักษณ์ของพวกเขาเอง
● วันเสาร์ที่ ๑๑ กันยายน พ.ศ. ๒๕๖๔
● เวลา ๑๔.๐๐ - ๑๖.๑๕ (กรุงเทพฯ) / ๑๕.๐๐ - ๑๗.๑๕ (ไทเป)
● ระบบซูมออนไลน์และเฟสบุ๊คไลฟ์
● ตารางเวลากิจกรรม (กรุงเทพฯเวลา )
๑๔.๐๐ - ๑๕.๐๐ | การเสวนาในหัวข้อ Post Molam in Post Covid Period (ภาพวิดีโอที่บันทึกล่วงหน้า)
๑๕.๐๐ - | คณะหมอลำ All-Thidsa แสดงดนตรีสด
ผู้ดำเนินรายการ: วิริยะ สว่างโชติ (นักวิชาการด้านการศึกษาวัฒนธรรม）
วิทยากร: อาทิตย์ คำหงศ์ษา (หัวหน้าคณะหมอลำ All-Thidsa), อาทิตย์ มูลสาร (ภัณฑารักษ์โครงการรถนิทรรศการหมอลำ), ถนอม ชาภักดี (ภัณฑารักษ์และนักวิจารณ์ศิลปะ)
● วันเสาร์ที่ ๑๑ กันยายน พ.ศ. ๒๕๖๔
● เวลา ๑๔.๐๐ - ๑๖.๑๕ (กรุงเทพฯ) / ๑๕.๐๐ - ๑๗.๑๕ (ไทเป)
● ระบบซูมออนไลน์และเฟสบุ๊คไลฟ์
● ตารางเวลากิจกรรม (กรุงเทพฯเวลา )
๑๔.๐๐ - ๑๕.๐๐ | การเสวนาในหัวข้อ Post Molam in Post Covid Period (ภาพวิดีโอที่บันทึกล่วงหน้า)
๑๕.๐๐ - | คณะหมอลำ All-Thidsa แสดงดนตรีสด
ผู้ดำเนินรายการ: วิริยะ สว่างโชติ (นักวิชาการด้านการศึกษาวัฒนธรรม）
วิทยากร: อาทิตย์ คำหงศ์ษา (หัวหน้าคณะหมอลำ All-Thidsa), อาทิตย์ มูลสาร (ภัณฑารักษ์โครงการรถนิทรรศการหมอลำ), ถนอม ชาภักดี (ภัณฑารักษ์และนักวิจารณ์ศิลปะ)
【流浪小客廳 MMF Talks 2】
Tala'en to tolo mihecaan：
聽見阿美語流行音樂中的等待和現代性 Waiting and Modernity in 'Amis Popular Musics
▪ 日期 Date：10.15 FRI. 台灣時間 20:00-21:30 (GMT+8) / 泰國時間 19:00-20:30 (GMT+7)
▪ 地點 Venue：ZOOM 線上進行
▪ 講者 Speaker：施永德 DJ W. Hatfield
▪ 主持 Moderator：Pornprapit Phoasavadi
▪ 報名連結 Registration：點此立即報名 Register now
▪ 活動備註 Note：報名成功後將收到確認信回函，並於 10.12 寄發本場次ZOOM活動室連結，敬請留意收信。
The ZOOM link will be provided via email by Oct. 12.
*本場次講座全程以英語進行 This talk will be conducted in English.
阿美語（Amis/ Pangcah）流行音樂是在勞工的移動下編織成曲。日本殖民期間，阿美族人加入興建台灣東部交通建設的工程，包括花蓮港及東部幹線。這些勞動力也是1980至1990年代，台北城市之所以能快速發展的幕後功臣。許多阿美族人因工作緣故選擇移居台北河流沿岸。除了內部的遷徙，1970至1980年間，幾乎所有沿海阿美族男子都加入遠洋漁隊，展開向外的移動。
在船上工作的三年，正好填補了阿美族青年完成中學義務教育和服兵役之間的空白，而跑船的工資也用於建造房屋。當時，阿美族社群間的親屬、性別關係以及居住模式產生了很大的改變。
本次講座邀請聲音藝術家、國立台灣大學音樂學研究所副教授——施永德，帶大家聆聽這個時期的阿美流行音樂，乘著歌謠、撿拾遠洋漁船的足跡。遠洋歌謠蘊含著即興創作的能量，以及當下心情的書寫。在歌聲裡，我們將探索由「期待」與「等待」交織的現代音樂元素。
對照今日許多東南亞移工，他們也是懷抱期待和夢想踏上台北這塊土地。歌謠中的勞動型態轉變，將如何牽引我們重新思考台灣的經濟歷史，改變我們對東南亞移工的想像？
'Amis / Pangcah language popular musics grew out of engagements with migrant labour. During the Japanese colonial period, 'Amis workers built Eastern Taiwan's transportation infrastructure, including Hualien Harbor and the Eastern Trunk railway; Taipei's rapid urban growth in the 1980s -1990s similarly depended upon 'Amis labourers, many of whom settled around rivers on Taipei's peripheries. In addition to these internal migrations, during the 1970s-1980s, nearly every man in Coastal 'Amis communities signed up for the far ocean fishing fleet.
A three-year stint on the boats conveniently filled in the gap years between finishing compulsory middle school education and military service. Wages from work on the boats paid for house construction during a time in which kinship, gender relations, and residential patterns changed greatly in 'Amis communities.
Listening to 'Amis language popular musics of this period, we can hear traces of engagement with far-ocean fishing in both musical form and lyrics. Often these traces embed modernity in the forms of expectation and waiting.
In this talk, DJ Hatfield will invite the audience to listen to a few far-ocean fishing songs and to stories. How might our listening to these songs today challenge us to rethink Taiwan's economic history? To change our responses to Southeast Asian migrants whose dreams and expectations have led them to work as labour migrants in Taipei today?
● 講者介紹 Speaker
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施永德 DJ W.Hatfield
國立台灣大學音樂研究所副教授，精通中文、閩南語與阿美語。2006年起，施永德連年造訪都蘭、採集台灣民族音樂進行台灣聲景（Soundscapes）研究，以及多年關注阿美族遠洋漁業發展而來的歌謠文化研究。他的阿美語達到能夠全程和長者聊天談笑的境界，因而被認可成為都蘭部落的一份子。近年，他從學術研究跨界進入聲音與環境創作領域，曾獲2016年台灣南島藝術獎佳作，亦為2018森川里海濕地藝術節駐地藝術家、2019東海岸大地藝術節駐地藝術家。 DJ Hatfield is an associate professor of the Graduate Institute of Musicology, National Taiwan University, and a socio-cultural anthropologist and sound installation artist. He is fluent in Chinese, Taiwanese (Minnan), and Pangcah. His work focuses on sound, indigenous responses to colonialism, and the ethics of locality. Since 2006, he has been visiting E'tolan/Edoulan for years, collecting Taiwanese folk music for Soundscapes research. Besides, he has been focusing on the research of song culture developed by the Amis offshore fishery. Recently, he has crossed over from academic research into the field of sound and environmental creation and was awarded the 2016 South Island Art Award in Taiwan. He served as an artist-in-residence at the 2018 MIPALIW Land Art and at the 2019 TECLandArts Festival. |
▪ 報名連結 Registration：點此立即報名 Register now
▲ 本場次由流浪之歌音樂節 (台灣)、大大樹音樂圖像主辦 (台灣)、Master of Arts in Curatorial Practice, Faculty of Fine and Applied Arts, Chulalongkorn University (泰國) 合辦。
This event is organized by Migration Music Festival (Taiwan), Trees Music & Art (Taiwan) and co-organized by Chulalongkorn University's (Thailand) MA Program in Curatorial Practice under the Faculty of Fine and Applied Arts.
▲ 本場次由流浪之歌音樂節 (台灣)、大大樹音樂圖像主辦 (台灣)、Master of Arts in Curatorial Practice, Faculty of Fine and Applied Arts, Chulalongkorn University (泰國) 合辦。
This event is organized by Migration Music Festival (Taiwan), Trees Music & Art (Taiwan) and co-organized by Chulalongkorn University's (Thailand) MA Program in Curatorial Practice under the Faculty of Fine and Applied Arts.
【音樂演出 MMF LIVE - 2】
檳榔兄弟╳藍。掉 台泰現場連線
Betel Nuts Brothers ╳ Fade to Blue LIVE
▪ 日期 Date：10.16 SAT. 台灣時間 19:00 (GMT+8) / 泰國時間 18:00 (GMT+7)
▪ 地點 Venue：FACEBOOK 臉書直播 Live streaming
▪ 報名連結 Registration：點此立即報名 Register now
▪ 活動備註 Note：報名成功後將收到確認信回函，並於 10.12 寄發本場次FACEBOOK預設直播連結，敬請留意收信。
The FACEBOOK live streaming link will be provided via email by Oct. 12.
來自花蓮水璉的檳榔兄弟——迴谷與布都，在下工後，隨手一把吉他或手鼓（水桶），哼著阿美族的傳統歌謠，也唱工作與生活。而身在都市的「藍。掉」——鍾玉鳳及David Chen，則在音樂旅途上田野、採集故事、軼事與民間聲響，在海洋的漂浪間，寫下一首首「島嶼」敘事。 這一次，兩組以土地、海洋為連結的樂人終於相遇。我們將以山上與海上的工作故事為背景，移民遷徙的腳步為節奏，一起聆聽Pangcah和「琵琶藍調混種」交手下，所碰撞出的即興聲音。
From the Northeast of Thailand to the East Coast of Taiwan: MMF 2021 presents live performances from musicians whose work touches upon the experience of migration and labor. This second segment features two ensembles from Taiwan. The Betel Nuts Brothers of Hualien, Taiwan -- represented by the duo Huigu (guitar) and Pudu (Percussion) -- will perform songs of their indigenous Pangcah folk heritage, which include traditional work songs and draw from their personal experiences as laborers in Taiwan. Also appearing is Fade to Blue, the duo of pipa player Chung Yufeng and singer/guitarist David Chen, who will perform original music inspired by various folk traditions from Taiwan, Asia, and America.
We welcome all to join us for this rare meeting of diverse sounds from Taiwan.
● 演出者介紹 Musicians
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檳榔兄弟 Betel Nuts Brothers
迴谷 Huegu & 布都 Budu 來自花蓮水璉的Pangcah族人，以1996年發行的專輯《檳榔兄弟》為名創作與演出，用母語唱自己的歌。「檳榔兄弟」這組有著家族血緣關係的兄弟/表兄弟，從未學過音樂，卻能以成熟的彈唱、創作與編曲能力自阿美族傳統土壤中種出壯麗的音樂新樹。現實生活中，迴谷與布從事勞力工作，從山上到都市，都曾有過他們的勞動身影。他們和其他兄弟達克達、阿比趁工作之餘相聚，以音樂作為飄蕩生活的註腳。檳榔兄弟的創作專輯《布拉布拉揚》（2001）及《失守獵人》（2003）從阿美族傳統古調中粹取菁華，延續「生活即歌唱」的取景，添入藍調、搖滾、非洲康加鼓節奏等血肉，打破一般人對原住民音樂「採集樣本」的既定印象和認識，也道出阿美族人的現實生活樣貌。 The Betel Nuts Brothers are a family of Pangcah indigenous musicians from the mountainous Pacific East Coast region of Taiwan. Widely hailed for their accomplished musicianship and gift for storytelling, the "Brothers" blend traditional Pangcah (aka "Amis") song, blues, and Taiwanese folk, and have been charming audiences across Taiwan for more than two decades. Cousins Huegu (vocals/guitar) and Budu (vocals/percussion) spent much of their working lives as laborers in both rural and urban settings across the island. Huegu's twin brother Abi (vocals/percussion), a music teacher, and cousin "DocDoc"(vocals/guitar), a surgeon, round out the ensemble. Their personal experiences, especially in relation to their Amis heritage, are the main inspiration of the group's original music, which is available on two critically-acclaimed albums, Bura Bura Yan (2001) and Hunters Who Lost Their Lands (2002), both of which offer vibrant perspectives on modern indigenous life in Taiwan. |
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藍。掉 Fade to Blue
鍾玉鳳 Chung Yufeng & 陳思銘 David Chen 遊走於世界舞台的琵琶音樂家鍾玉鳳及藍調唱作人David Chen，揉和琵琶及藍調吉他各自承載的文化脈絡，組成「藍。掉」，開啟了一場顛覆想像的音樂跨界實驗。第一張同名專輯《藍・掉》（2016），將漢樂系統下的琵琶和非裔美人的草根藍調，兩個原本遙遠且相異的文化空間，因為各自生命的游離，開創了新的音樂表述及語彙，也創造了相遇與對話的可能。他們的相遇，將各自的傳統器樂所承載的文化，推向另一空間向度。 2020年，他們自藍調、藍草、民謠音樂中發酵，醞釀路上加以台灣民間聲響，匯入華人移民歷史、詩謠、島嶼軼事和傳說，提煉出專輯《垂釣島嶼》。專輯持續兩人異質的聲源，音韻節律是島嶼與海洋間的湧浪，用以測量人的漂流、海的脈搏、發生的故事、傳說的神話，以及幻夢。從島到島，既為探求新的聲源漂浪，也與前人在遷徙路上對話共鳴。 Fade to Blue is a duo project by Taiwanese pipa player/composer Chung Yufeng and American roots/folk singer-songwriter David Chen. Yufeng and David draw from their respective traditions and cultures in pursuit of new musical possibilities grounded in a variety of folk styles, including American blues, bluegrass, Taiwanese Opera, and music from around Asia. Fade to Blue's distinctively fresh and playful sound is driven by Yufeng on the pipa, the robust and bold four-string lute used in traditional Chinese music; David sings and plays resonator and 12-string guitars. Their eponymous debut album (2014) was a well-regarded compilation of folk standards and original songs. The duo's latest, Island Catch (2020), is a sonically rich and lyrically poetic collection of mostly original songs tied to themes and narratives of the Chinese immigrant diaspora, "island music" culture, and traditional Asian folklore. |
▲ 本場次由流浪之歌音樂節 (台灣)、大大樹音樂圖像主辦 (台灣)、Master of Arts in Curatorial Practice, Faculty of Fine and Applied Arts, Chulalongkorn University (泰國) 合辦。
This event is organized by Migration Music Festival (Taiwan), Trees Music & Art (Taiwan) and co-organized by Chulalongkorn University's (Thailand) MA Program in Curatorial Practice under the Faculty of Fine and Applied Arts.
This event is organized by Migration Music Festival (Taiwan), Trees Music & Art (Taiwan) and co-organized by Chulalongkorn University's (Thailand) MA Program in Curatorial Practice under the Faculty of Fine and Applied Arts.
【流浪小客廳 MMF Talks 3】
摩蘭進行式 Molam in Progress
▪ 日期 Date：11.18 THU. 台灣時間 (GMT+8) 19:00-20:30 / 泰國時間 (GMT+7) 18:00-19:30
▪ 地點 Venue：ZOOM 線上進行
▪ 講者 Speaker：Gridthiya Gaweewong（泰國 Jim Thompson Art Center 藝術總監）
▪ 主持 Moderator：鍾適芳（流浪者之歌音樂節策展人）
▪ 報名連結 Registration：點此立即報名 Register now
▪ 活動備註 Note：報名成功後將寄發本場次ZOOM活動室連結，敬請留意收信。
The ZOOM link will be provided via email after registration.
*本場次講座全程以英語進行 This talk will be conducted in English.
流浪不斷線2【最終場】我們邀請泰國 Jim Thompson Art Center 藝術總監 Grithidya Gaweewong，聊聊「摩蘭」的歷史以及它在文化、經濟及政治藍圖上的位置。
本次主題聚焦於「摩蘭」歌樂——來自泰國東北伊善地區（Isan）的聲音，也是伊善人的靈魂。「摩蘭」起源於寮國（Lao）傳統，逐漸蓬勃發展。18世紀起在伊善地區受到保存並傳承下去。尤其是在 19 世紀暹羅（Siam）併吞伊善地區後，伊善人透過「摩蘭」音樂表達悲傷和壓迫。此外，「摩蘭」在冷戰時期也被視為傳達政治意識型態的重要手段。
疫情爆發以前，「摩蘭」從地區音樂轉型為名揚全國的流行音樂，如今不僅盛行於曼谷的年輕中產階級，也透過社群媒體的傳播躍升世界音樂圈。一起來聽當新冠病毒襲擊泰國，「摩蘭」歌樂如何奮力求生，做好準備強勢回歸！
This talk will focus on Molam, a genre of music from Isan, the Northeast part of Thailand, which has long served as the soul of the Isan people. It has its origins in a Lao tradition and became alive, and was preserved and practiced within the Isan region from the 18th century on. The lecture will give an overview of the history of Molam and its position in the cultural, economic, and political landscape. Particularly after the annexation of the Isan region by Siam in the 19th century, Molam became an important tool for the Isan people to express their sorrow and oppression through music. It also became an important tool for political ideology on the left, right, and center during the Cold War. In the pre-Covid period, Molam shifted its status from local music to a popular music genre nationwide, and it is today famous among the young middle classes in Bangkok, as well as in the world music community that it has reached through social media. When COVID hit the country, Molam strived to survive and it is now finding the path to rebound. ※ This talk will be conducted in English.
● 講者介紹 Speaker
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Gridthiya Gaweewong
Gridthiya Gaweewong 生於清邁、在曼谷工作，目前為 Jim Thompson Art Center 藝術總監。1996年，她與阿比查邦・維拉斯古塔（Apichatpong Weerasethakul）等人在曼谷共同成立獨立藝術組織「Project 304」，後也和多位策展人合作策劃展演。其中包含在東京歌劇城畫廊與日本基金會舉辦的「建構中：亞洲藝術新維度」（Under Construction）、2003年的「論壇日本」、2005年與王景生於柏林世界文化之家合作展出多名東南亞藝術家作品的「趣味政治」、2010年與鄭大衛於奧伯豪森國際短片電影節合作的「不真實亞洲」（Unreal Asia）單元，以及策劃「阿比查邦・維拉斯古塔：狂中之靜」巡迴展於清邁當代美術館、香港、馬尼拉、芝加哥、奧克拉荷馬州及台北（2016年至2019年）展出。此外，她也擔任2018年第十二屆光州雙年展的共同策展人。她的最新系列展覽「勘誤：收集糾葛與歷史體現」於2021年7月至11月清邁當代美術館展出。 Gridthiya Gaweewong co-found Project 304, a Bangkok based independent space since 1996. Gridthiya has co-curated with regional curators on several occasions, including Under Construction, Tokyo Opera City Gallery and Japan Foundation; Forum Japan (2003); ‘Politics of Fun’, an exhibition of artists from Southeast Asia, with Ong Keng Sen at Haus Der Culture der Welt, Berlin (2005), with David Teh on Unreal Asia, Oberhausen International Short Film Festival (2010), The Serenity of Madness, works by Apichatpong Weerasethakul, MAIIAM Contemporary Art Museum, Chiangmai, Hong Kong, Manila, Chicago, Oklahoma City, Taipei (2016-2019). She served as a curatorial team of the 12th Gwangju Biennale, Gwangju, South Korea (2018). Her upcoming exhibition series entitled, “Errata: Collecting Entanglements and Embodied Histories” at MAIIAM Contemporary Art Museum, Chiangmai from July – November 2021. Gridthiya lives and works in Chiangmai and Bangkok, and is the artistic director of the Jim Thompson Art Center. |
▪ 報名連結 Registration：點此立即報名 Register now
▲ 本場次由流浪之歌音樂節（台灣）、大大樹音樂圖像（台灣）主辦、Jim Thompson Art Center（泰國）、Master of Arts in Curatorial Practice, Faculty of Fine and Applied Arts, Chulalongkorn University（泰國）合辦。
▲ This event is organized by Migration Music Festival (Taiwan), Trees Music & Art (Taiwan) and co-organized by Jim Thompson Art Center (Thailand), and Master of Arts in Curatorial Practice, Faculty of Fine and Applied Arts, Chulalongkorn University (Thailand)
▲ 本場次由流浪之歌音樂節（台灣）、大大樹音樂圖像（台灣）主辦、Jim Thompson Art Center（泰國）、Master of Arts in Curatorial Practice, Faculty of Fine and Applied Arts, Chulalongkorn University（泰國）合辦。
▲ This event is organized by Migration Music Festival (Taiwan), Trees Music & Art (Taiwan) and co-organized by Jim Thompson Art Center (Thailand), and Master of Arts in Curatorial Practice, Faculty of Fine and Applied Arts, Chulalongkorn University (Thailand)